Geoffrey Tennant (
visitation) wrote in
dear_mun2014-09-01 04:09 pm
Entry tags:
canon is slings & arrows
Perhaps this is it. The undiscovered country. Death, or purgatory, or something worse. Confined by an unworthy mind and bent into uncreative fucking servility. No, this is Hell, isn't it? I thought I was living it before, but this... This, really...
I mean look at it. Look at you. "Mundane". It says it all, doesn't it? As if mundanity is something to aspire to, although I suppose the intended implication is some unattainable quality in myself in contrast to your own dull failings. Don't feel bad, most people are idiots, you simply can't compete. So you grant in me a poetic superiority; something to be coveted, captured, enslaved. You are mundanity, and I am the "Muse", like Shakespeare's tenth muse, I suppose; his secret lover. [ Geoffrey tilts his hand first one way and then the other. ] But make of that what you will. You're certainly no bard.
Ah, you get that? You like it? Flatterer. Muse, yes. Inspiration, spirit--ah, spirit. We know all about those, don't we? And speaking of brandy... What? How can it be "too early"? It can be any time of day you wish, can't it, so why not thrust the sun of your limited imagination up past the yardarm and do us all a big favor? After all, what should I do but tend upon the hours and times of your desire? Yes, a drink. I'd like a damn drink. I think I've earned one. You should have one too, it might help with this-- [ More hand waving, his brows creased. ] --this...whatever this is. It's unbearable. You're making me ramble. I sound like a crazy person.
[ A pause, and he scratches at his ear, rubs his hand through his already bed-messed crazy-hair. ]
Okay, a crazier person. You're still doing it. Stop it right now.
I mean look at it. Look at you. "Mundane". It says it all, doesn't it? As if mundanity is something to aspire to, although I suppose the intended implication is some unattainable quality in myself in contrast to your own dull failings. Don't feel bad, most people are idiots, you simply can't compete. So you grant in me a poetic superiority; something to be coveted, captured, enslaved. You are mundanity, and I am the "Muse", like Shakespeare's tenth muse, I suppose; his secret lover. [ Geoffrey tilts his hand first one way and then the other. ] But make of that what you will. You're certainly no bard.
Ah, you get that? You like it? Flatterer. Muse, yes. Inspiration, spirit--ah, spirit. We know all about those, don't we? And speaking of brandy... What? How can it be "too early"? It can be any time of day you wish, can't it, so why not thrust the sun of your limited imagination up past the yardarm and do us all a big favor? After all, what should I do but tend upon the hours and times of your desire? Yes, a drink. I'd like a damn drink. I think I've earned one. You should have one too, it might help with this-- [ More hand waving, his brows creased. ] --this...whatever this is. It's unbearable. You're making me ramble. I sound like a crazy person.
[ A pause, and he scratches at his ear, rubs his hand through his already bed-messed crazy-hair. ]
Okay, a crazier person. You're still doing it. Stop it right now.

oops.
[Oh, look who's followed you into metafiction, Geoffery!]
It's not your first experience being one's Muse, isn't it? Mine, of course. Ellen's, if you want to include transferring your young love to the stage. Oh, and it worked, it worked marvelously.
wow. i love you. best accident ever.
Oh, look. Oh well, this is marvelous. Now look what you've done. [ A big smile in Oliver's direction; closed mouth, crinkly at the edges of his looking-for-the-nearest-exit eyes. ] I was wondering when you'd show up.
Your Muse. Your Muse. Well yes, I guess that would explain everything, wouldn't it? Shakespeare was fucking his, after all; Ellen was fucking me; and you were just fucking me over. [ He's such delightful company. ]
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Put it behind you, man. It's not as if its relevant here, anyway; we're out of New Burbage. Out of the stage, in all likelihood. Though we might see the others around. Shakespeare too, come to think of it.
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I don't have anything to say to him. Or you. We were done talking, if you recall. [ But he can be a terrible actor sometimes in real life, as though to contrast his talent on the stage, and this time it registers as his eyes catching against Oliver's briefly, before - just as quickly - he's looking away again, not even trying to return his gaze as he says: ] It's good to see you again. [ Oh look his hands are interesting; the tension in his shoulders gradually dissolving. ]
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Your drink, sir.
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Aren't you a picture? Barrie or Wodehouse?
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If sir is referring to Mr. J. M. Barrie, the scottish author and Mr. P.G. Wodehouse author of....
[Jeeves trails off suddenly, looking puzzled at his own train of thought before conceeding with a begrudging sound through his nose.] The latter, sir.
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It's remarkable really. Being friendly with imaginary people comes easier to him than it does with the usual kind. ]
Geoffrey Tennant. Won't you sit down?
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...very good, sir.
[And sits as if the chair might decide to give way on him at any moment.]
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[ He pulls out a drawer from the table and lifts out a yellowed skull, sets it on top next to the glass and takes something out from between the skull's closed jaws, offering it toward him. It's a paper packed after dinner mint. ]
After Eight?
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No, thank you, sir.