Kill la Kill, spoilers for the final few episodes

[skullcapo]

Yeah, that's it, it's all over and done with, all's well that ends well, they lived happily ever after. The end.

Now with that behind us, let's find Iori so I can flick him in the nose for that last version of Symphony Regalia. I felt like a goddamn exhibitionist.

Comments

[skullcapo]

[And she's now using that opportunity to catch up and snatch her hat back.] Gimme that!

Stupid bundle of rags... don't even know the difference between volume markers and a time signature...

so i meant to do research for this tag and completely forgot about it afterwords

[sanguineseams]

[He hops up, dusts himself off, and points a defiant cuff up at Nonon.]

Quarter time--the blanket term for any measurement where quarter notes are defined as one beat!

Fortissimo--the loudest volume at which a piece can be played, designated by double f's, the opposite of pianissimo!

[He drops his sleeve.]

Or did you forget that I have two of your Symphony Regalia inside of me?

nice job senketsu

[skullcapo]

Ha! Not too bad for a walking dishcloth.

But a little bit off. Fortissimo might be the most common loudest volume notation, but some composers use fortissimo possibile, triple f's, or even fortondoando, quadruple.

Guess you needed to try taking a third.

ssshhhhhhhh...

[sanguineseams]

[...oh.]

...that seems a bit overkill.

[skullcapo]

Nobody really uses them often, or all that seriously. To be honest, they're kind of tacky. The brass section sounds like they're a herd of dying elephants.

But they exist.

[sanguineseams]

I would imagine.

I bet it goes the other way, too. Triple p, quadruple p, whatever their designation might be.

[skullcapo]

Pianississimo? I might as well tell whichever section had that notation to not play at all.

[sanguineseams]

...I think the audience would notice.

[skullcapo]

Depends on the piece.

And the audience.