Kristine is certainly not pleased. (Canon is Ibsen's A Doll's House)
Mundane:
I see I am bound to wait here (even though Nora would have been a better choice in my place). But if in the meanwhile I can find Krogstad again, it will be worth it, since we will be able to live together. And I don't want to be alone. You know that work has been my greatest and only happiness so far, but now I am alone and working for oneself does not bring happiness.
We need each other.
I see I am bound to wait here (even though Nora would have been a better choice in my place). But if in the meanwhile I can find Krogstad again, it will be worth it, since we will be able to live together. And I don't want to be alone. You know that work has been my greatest and only happiness so far, but now I am alone and working for oneself does not bring happiness.
We need each other.

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And is she here now. Is she truly here? He had once again set aside belief in such fortune, but now...]
Kristine.
[His voice falters, fading almost before he can complete her name. She looks like the Kristine he knows (dare he... almost, almost perhaps say his Kristine?), but he has heard enough of this place to know that nothing is to be trusted. There have been stories about seemingly familiar people who appeared without the expected memories or appearance, even with differing drives.
He forces himself to take a step forward and to veil his wariness. If she is not the woman he knows, he must maintain a strong front; never let them discover a fracture in the structure, never give them an easy route into tearing you from within. Lessons he has learned all too well, and much as he wishes to believe that this is Kristine (and he does, he truly does!), the situation is too strange, his own wounds too fresh.
This time, he speaks without faltering, even manages to clear his face of excess expression.] Mrs. Linde?
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And it beats faster when she sees him. It's him, it's him. It's Krogstad.
Since she barely knows of this place, she doesn't question any possibility beyond him being the very same Krogstad she left when her mundane decided to bring her here. They are here, together at last and she can allow herself a moment of true happiness.
Even though that happiness can barely be expressed in words, and is seen more in her expression as she approaches him]
Hello, Krogstad.
[And yet those two words mean so much more]
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Take a chance, let it be. Tentatively, he reaches for her hands.]
It is you, then.
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It's him. And she will not deny herself that. That happiness.
So smiling, she takes his hands.]
And it's you.
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I am so pleased to see you.
[There are other thoughts, stumbling explanations for his hesitation, questions about how she had come here and when, about where she had been and what she had been doing. None of these can make their way to speech, however, and he simply beholds her, astonished and deeply relieved.]
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And so am I.
[And yet, she has many questions.]
Have you been alone here for long?
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No longer than I once became accustomed to. [He need not dwell on the hollowness of that time, the certainty that at last there was nothing even to grab hold of. Such is the case no longer, and he will not dampen the moment.]
And you? Where— ['When'? No, best stick with 'where'.] Where have you been? How have you been? You look— Well. Worn, but well. [It is close enough to the truth. She is welcome to his sight, lovely as she has ever been, but he cannot deny that the world has taken its toll. As it has with him. As it does with anyone who must live beyond pretense.]
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I had left the Helmers and I was about to join you, but the door led me here instead of to the street. But to you in the end.
[She still smiles]
You look well too.